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Peacock’s Halloween picks are FANTASTIC!

One of the things that always attracted me to Universal is their ability to embrace “Joe Six Pack” type entertainment, particularly horror. No other major studio celebrates their relationship with horror. Even Disney has a horror movie or two in their past (though they’ve sucked. Remember “Watcher in the Woods”? Yeah, no one else does either.)

Peacock proves their relationship with horror with a great front page tab “Halloween” that opens to a splashy page with prominent films on display. In particular, they give great placement to their Alfred Hitchcock and Classic Monster work. So, what should you check out? WHERE TO START!

Just when you thought it was safe to get back in the shower.

Alfred Hitchcock is a good opening salvo. A brand new The Making of Psycho documentary is full of great information. I recently “audiobooked” (I can’t bring myself to call that “reading” yet) the original Psycho and I forgot just how wonderfully Joseph Stefano adapted Robert Bloch’s wonderful novel. Then follow that view with a re-watch of Psycho (if you haven’t seen it yet, by jiminy, watch Psycho first!), The Birds, Vertigo and Rear Window! Here’s a hot take: I actually prefer Rear Window. Take me on in the comments below.

Hail! Hail! The Gang’s All Here!

In the classic monsters, I think people forget how good some of those films are due to their “creaky” nature and not always having aged very well. I suggest the greatest horror comedy of all time, Abbott and Costello meet Frankenstein. Yes, “the boys” made a few of these meet the monster films, but this one features one of only four times Bela Lugosi played Dracula on film (go ahead and check me on that) and a fantastic performance by Lon Cheney Jr. as the Wolf Man, Lyle Talbot. What makes this work is the monsters play their bits completely straight, making Lou’s over-the-top fear reactions all the more entertaining. If you haven’t watched it recently, take it in. You forgot just how good this one is!

It Follows is a solid pick of their newer fare. While I’m not willing to call it a new classic as many reviewers did when it came out, it’s a solid little suspense filled flick about an entity that infuriatingly defies simple definition. The suspense is well crafted and it certainly has earned its reputation for being creepy. Worth a look.

Hoodies are still creepy.

Let Me In is a remake of the Swedish Let the Right One In, which has a superior ending, but as for the rest of the film, I think this version is actually more fun to watch. In general, this film’s workmanship is superior to the original and the acting is far better. This is the film that made vampires scary again, and took some of that sparkle away.

This was the original class action park.

The Funhouse is an oft overlooked scary movie. Tobe Hooper of Texas Chainsaw Massacre fame made this criminally underseen carnival creepfest that features the most disturbing Frankenstein monster mask ever committed to the silver screen. I’m not sure what to call it. Is it a creature feature? A slasher? A ghost story? This flick will having you guessing and hopefully screaming.

Give these movies a look while they are up on the Peacock.

Peacock’s Halloween picks are FANTASTIC!

PageantCast Mail Bag: 10/18/20

We know no one uses mail anymore, but here in the mailbag we put a selection of Instagram posts, Facebook posts and Twitter posts that we’ve been tagged in.

Here’s this week’s selection:

CLICK IN FOR MORE!

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PageantCast Mail Bag: 10/11/20

We know no one uses mail anymore, but here in the mailbag we put a selection of Instagram posts, Facebook posts and Twitter posts that we’ve been tagged in.

Here’s this week’s selection:

CLICK IN FOR MORE!

Continue reading

Flower Drum Song (1961)

Flower Drum Song is
free with Prime
at the time
of this article’s release

This is going to be a tricky review. With the current view of films based on other cultures and Hollywood’s “whitewashing” in the foreground, it is difficult to review “Flower Drum Song” from 1961 with an entirely Asian cast. Do you take modern views into account? Do you dwell on that this movie is about Chinese culture and primarily had a cast of Japanese actors in the leads…and one African-American? Then there is the point that the ENTIRE PLOT REGARDS CONTRACTS FOR ARRANGED MARRIAGES FOR PASSAGE INTO THIS COUNTRY….Not exactly a film that would get a green light in this day and age.

Well, I’m staying out of the politics. That isn’t my forte or my interest. Was the movie any damn good? That’s what I’ll examine here. I consider this one of Rodgers and Hammerstein’s lesser musicals. It is certainly no “South Pacific” or “Sound of Music,” with few memorable tunes. 100 Million Miracles is the main theme of the movie and frankly, it’s not a strong tune and the staging of the tune isn’t exactly a epic…the singer simply flits about a studio shot of a downtown park square (that is very clearly not outside) and sings to passersby. Let me hold back the yawn.

In fact, it is not really clear if the film made any money.

The only true toe tapper is Nancy Kwan‘s rendition (I know it is not her voice but she did her own dancing) of Enjoy Being a Girl. There is a fun strip tease number midway in the film that sets much of the second half of the film and a set piece during a Chinese New Year parade, but you often realize that you just aren’t watching an MGM musical. Universal was not best known for their musicals.

The plot is paper-thin dealing with Chinese intergenerational views on arranged marriages in San Francisco mid-20th century. There is, however, a great cast including the always wonderful Nancy Kwan, Barney Miller’s Jack Soo (who practically steals the movie with his song Don’t Marry Me), Lo Pan himself: James Hong in a supporting role, and Die Hard‘s James Shigeta who never really did get to hear Hans Gruber count to four.

Colorful musical number in a
musical that could have used more.

So as far as talent goes, the movie is stacked with it in front of the lens.

Oddly, it is unclear if this movie even paid for itself. It did get into the National Film Registry, but from a Box Office performance is not exactly clear. One thing is clear, this was not producer Ross Hunter’s biggest failure: that distinction remains 1973’s Lost Horizon which flopped so hard it basically killed the silver age of musicals. No major studio would even consider a musical until Grease taught everyone musicals could bring moviegoers back to the cinemas.

James Shigeta before being the CEO of Nakatomi

Now, there are themes of illegal aliens, the role of a woman in that time, and lots of sections of the film that will challenge modern audiences, but the craftsmanship of the filmmaking is top notch. The main problem is the plot isn’t fantastic and the songs just aren’t all that memorable. But if you are looking for a good little distraction from modern life, this should fit the bill. Still, there are a lot of great musicals from the previous decade and this one that are more worthy of your time.

Grade: C+

Flower Drum Song (1961)